Alcahest, flute and live electronics
Un peu de temps, piano, three percussion and electronics
Au revoir, percussion trio
Double Vie, ensemble / mezzo (text: Louise Labé)
Mechanischer Atem, solo accordion
Kreuzweg, ensemble
The Surging of Angels, ensemble
- Another Place, percussion duo
- Revenant, a Circus on the Films of Georges Méliès, four players (variable instrumentation) and four projectors
- The Chapter of Song, I, solo piano
- The Dark Matter, piano interior and live electronics
- Labyrinth I, high school orchestra
- Counterpoints, vibraphone and junk percussion, tapes; music for Esther Shub, “The Fall of the Romanov Dynasty” (1927)
Movements, percussion and pre-recorded electronics
- Orenda, twenty-eight players
- A Brush With Fortune, piano
Salamandre, flute and pre-recorded electronics
- La porte, stereo pre-recorded electronics
- La vice versatile, stereo pre-recorded electronics
- Dover Street, bass clarinet, guitar and harpsichord
- Grimoire, jazz band, improvising ensemble and live electronics (written with Jeremy Smallwood)
- A, five players, tapes and quad sound projection
- Happen, guitar, keyboard, bass guitar, percussion and computer-controlled sound manipulation
- Kreiderkreis, stereo tape; incidental music for the Brecht play
- Les tentations d'Antoine, voice, tape, live electronics and interactive video
Tentative, two percussionists
- Music for Keyboards, 1-7 electronic keyboards
- UPIC Study, tape
Harihara, guitar solo
To Kill Hun Tun in Twenty Seconds, magnetic tape (University of York)
- Child Songs part one, voice or voices
- Child Songs part two, unspecified instrument(s)
the above pieces to be performed alone or simultaneously, with
or without the slide collection Tree
- Chrestomathy, seven sound sources
Excursus I, two oboes